Hola Josky, 

Perdemos un gran artista. Eras un gran artista del Congo. La República Democrática del Congo. Tenias un grand contribución por los grupos Africa Fiesta Sukisa de Nico Kasanda alias Dr. Nico y Le TPOK Jazz de Luambo Makiadi alias Franco. Sabemos las canciones amorosas que obtenemos de ti. Eras un artista con un gran corazón. Eras una persona quien quería las bonitas cosas para todo lo mundo. Dicemos todo lo mundo. Eras el individual con los pensamientos del grupo Bana OK con el poeta Lutumba Simaro Masiya. Sino sabemos las malas personas quien tenian un gran detesto contra ti. Sabemos también que ellos querían crear más problemas en tu vida. Ahora, Dios obtiene tu casa en su reino. Te olivaremos jamás y resteras en nuestros corazones. Guardaremos tus canciones todos los dias en public. Seras siempre un gran artista de todos los tiempos.

ADIOS JOSKY KIAMBUKUTA

14 Febrero 1949- 7 Marzo 2021

Hello Josky, 

We miss you so much. You were a great artist to us. You made great musical contributions to Africa Fiesta Sukisa of Nico Kasanda alias Dr. Nico and Le TPOK Jazz of Luambo Makiadi alias Franco. You were the one who made incredible and memorable love songs for all of us. Today you have left us but we stay here on earth with all the good songs that you produced. From periods of Africa Fiesta Sukisa to Bana OK. Bana OK is your band alongside with late poet Lutumba Simaro Masiya. People need to know that. It was you that founded Bana OK. Without you, perhaps more problems would have risen for everyone. I mean EVERYONE. It was you that saved everyone. You were someone who was selfless and cared about everyone. Unfortunately, there were people that did not appreciate your selflessness and took advantage of your good personality that you had. But don't worry, God has called you home. You are, you were and you always be loved by most of us. We are, we were, and we always appreciate the great art that you left us on this earth. 

GOODBYE JOSKY KIAMBUKUTA 

February 14, 1949- March 7, 2021 

Bonjour Josky, 

Vous n'êtes plus avec nous. Vous nous manquez beaucoup. Vous étiez un grand artist congolais. Vous faisiez des grandes contributions musicales pour les groupes l'Africa Fiesta Sukisa de Nico Kasanda alias Dr. Nico et Le TPOK Jazz de Luambo Makiadi alias Franco. Vous faisiez les chansons amoureses qui sont incroyable et memorable pour nous tous. Aujourd'hui, vous nous avez laissé mais nous restons dans cette terre avec les chansons que vous avez produit. Nous avons les chansons des temps de L'Africa Fiesta Sukisa, Le TPOK Jazz et Bana OK. Vous êtes co-fondateur du Bana OK avec le poete Simaro Lutumba. Vous êtes le compositeur des grandes chansons comme Maby, Monzo, Tokabola Sentiment, Missile, Spritus, et plusieurs autres. Ces chansons disent beaucoup de votre talent musical. Ils disent que vous comprenniez la musique bien. Vous aviez beaucoup de sagesse. Plus important, vous aviez un grand coeur et vous voulez un grand orchestre. Malheuresement, vous trouviez les gens qui voulaient vous maltraiter. Ces gens voulaient vous traiter comme un ennemi. C'est triste mais c'est la vie. Heureusement, Dieu vous appelle dans son royaume. Vous restez en paix dans son royaume. Dieu vous donnera la protection et la paix totale. Votre musique sera toujours avec nous dans cette terre. Vous êtes, vous étiez et vous serez toujours un grand artiste Congolais. Nous sommes, nous étions et nous serons avec vous dans nos coeurs. Nous ne vous oublierons jamais parce que vous étiez un artiste véritable. 

AIDEU JOSKY KIAMBUKUTA 

14 FERVIER 1949- 7 MARS 2021 

This is Josky tribute time. We lost a great singer who was sick but not sick enough where he was near it. So we will do a Dream Duet edition in tribute to Josky. This singer was among the co-founders of Empire Bakuba. 

Ces chanteurs faisaient beaucoup de chansons romantiques pour nous. Il faut que nous aimons leurs chansons romantiques tous les jours. Avec ces hommes et leurs chansons amoureuses, nous trouverons l'espoir en amour. Cet homme serait un individu bien-fait pour la musique de Josky Kiambukuta Djo Sex Le Commandant D'Abord. Mais c'est qui? 

I am speaking of Jean Dode Matolu better known as Papy Tex. He is known as a great friend and a great music collaborator of Pepe Kalle. Unlike Pepe Kalle, Papy Tex was very good with making sweet love songs. Something Josky was also very good at. No wonder why he was called Djo Sex. I wonder why Papy Tex was not called something closed to that. Anyway, Josky and Papy Tex were very good at pleasing women and making them wonder about their love lives. That is when you know  that you are good with romance in music. 

One big reason why Josky and Papy Tex should have worked together is because they are from the same Tabu Ley school. Their vocal tones are somewhat identical in a sense where they are emotional but also romantic which is why many ladies loved them. That was something Tabu Ley was very good at. Their ability to be emotional but yet romantic at the same time helped them become valuable singers. 

I got ten songs that I will select for you. 

Papy Tex: Welcome 

Papy Tex: Yawe 

Papy Tex: Aideu Leya 

Josky: Aziza 

Josky: Maby 

Josky: Monzo 

Josky: Spiritus Santus 

Tabu Ley: Ponce Pilate 

Grand Kalle: Coco qui est la 

These songs would have been very good for Josky and Papy Tex. I think the songs that would that be the best to do is Papy Tex's Aideu Leya, Josky's Mehida and Grand Kalle's Coco qui est la. These songs would have shown the beautiful harmonies between Josky and Papy Tex. Papy Tex is from Grand Kalle music of singing. Josky is a product of Africa Jazz vis a vis of Africa Fiesta style of singing. Aideu Leya would work because Josky is good at giving emotions in a song and this song is very personal from Papy Tex and Papy would have appreciated Josky's musical support in a emotional sense. Mehida would work very well because I felt there was a little off balance between the harmonies. I felt this song was a more of a two part choir part. One person who would have improved this song would have been Papy Tex. Josky and Papy Tex would have made the song more complete also Papy's high singing was very good usually. Coco qui est la would also be very good because Papy Tex would have made his own twist in this romantic hit. This song is in fact like hide and seek. I know that Papy Tex was known for this in his love songs. Then add Josky's voice with Papy, you are talking two men who effectively can sing this Grand Kalle song with more convincing. 

Josky and Papy Tex would have been a great musical duo for a nzonzing project especially with the songs Aideu Leya, Mehida and Coco qui est la. 

He is Desouza Santu. He also is called and rightfully so as Desouza Santu Mungongo Elengi. I like that title. His voice is like that. He used to sing with Evoloko, Bimi Ombale and Pepe Kalle. He is one incredibe vocalist in my opinion. He is a solo artist and was very present on Biya Chante's album Cocktail. He recently released his EP Arobase which has his big song called Maman Bonheur. Check this song here

The Maman Bonheur song got me thinking about which OKJ singer would have been perfect with Desouza Santu. It is Josky without doubt. These two men would have been gold together musically. 

I will give you four reasons why they would have been perfect together?

1) They are effective of the Africa Fiesta school sense of singing. 

2) They are great multi-taskers musically. 

3) They have solid songs on Rumba. 

4)  They know well where they stand vocally 

Fourth reason leading to me how they would sing together. Josky would sing in the low/middle note and Desouza Santu would sing in the high note. I am sure Josky would have had a blast singing with Desouza Santu. I think Josky should got Simaro to recruit Desouza Santu into Bana OK. Desouza had a voice well made for Bana OK. He was a good animator like Bana OK singer Shakembo. Shakembo was a good animator. But for a few Josky songs, Desouza could take over and put his own twist on animations. Desouza was a solid animator. 

Which leads to me being which song would be perfect for Desouza Santu and Josky Kiambukuta. 

That will be end of the Josky Kiambukuta tribute dream duet editions. Josky will remain one of the greatest Congolese singers to ever live. 

Hello everyone. This is women's month history. I am doing dream duets, trios and quartets as well. This is will be dedicated to women around the world. This edition is a quartet of four great Brazilian female artists. 

Eu amo estos artistas muito. Eu quiero tudo o mundo por saber uma coisa dos artistas. Elas sao gran e elas tem muito talento. Elas são as boas cantoras e muitas pessoas sabem suas canções. Quando entendo suas cancaos, sentigo muito gozo em meu coração. Quem são las cantoras?

I am speaking about Ana Carolina, Claudia Leitte, Daniela Mercury and Ivete Sangalo. The latter three have sung together in many performances. Recently Claudia and Ivette performed at the Brazilian carnival. It was highly successful and fans were very ecstatic about the performance. When I saw that performance, I was thinking it would be nice if another place could get festival where we could get Claudia and Ivete with two more singers with them. 

It would be a relax setting with romantic songs in pleasures for all the fans who love their voices. I would Ana Carolina and Daniela Mercury. It can be done a dancing manner or a slow manner however these singers would like to be done. 

Here are four songs that I have found that these four singers would fit it without worry. 

Resta: Ana Carolina with Chiara Civello (Studio Version) 

Tô Samba da Vida: Daniela Mercury (Studio Version)

Não me compares: Ivete Sangalo with Alejandro Sanz (Studio Version)

Corazón: Claudia Leitte with Ivete Sangalo (Live Version)

These four songs exemplify perfect balances between slow and more romantic style songs while you also have a Samba influenced songs. Also you have good news with these ladies. Ana is very good with guitar and Claudia can also play the guitar if she is in the mood with Ivete very good at drumming. I will show one photo of Ivete Sangalo playing drums.

Hello everyone. I hope you are well. I am doing a controversial post. I mean two. It is about Franco and Pepe Kalle. I did posts of Franco vs Pepe Kalle. This time I will speak on Pepe Kalle being a employee of Franco. I said that. Well I don't think that  but there are people that say that Pepe Kalle would have been better under someone else. There are some who say that Pepe Kalle would have better been with Franco and there are some who say that Pepe Kalle was good on his own. 

This case will be about on why Pepe Kalle was right not joining OK Jazz of Franco? 

I will give you seven reasons why Pepe Kalle made the right choice not joining Franco's Le TPOK Jazz.

1)  Papy Tex would be on his own or have to play for another band. 

2) Pepe Kalle would have only done nzonzings with Papy Tex. 

3) Madilu probably would have never been in OK Jazz. 

4) Pepe Kalle already had a band that was doing very good in the Congolese Music Scene.

5) Franco was not in urgent need of a individual like Pepe Kalle.

6) Franco and Verckys would have a bigger conflict. 

7) Pepe Kalle was meant to be his own star. 

Final reason is the most important why. In my view, Pepe Kalle was born to be his own star. He was meant to lead a band. In addition, he had his childhood friend Papy Tex and later on with another friend Dilu Dilumona. 

Pepe Kalle was someone who was a superstar from the minute he came into the music scene. He was from Grand Kalle school but he was clearly set to make his own mark as a singer. After all, he already had a group that was pretty popular at the local Kinshasa music scene (Africa Choc) with his childhood friend Papy Tex. In addition, Pepe Kalle was on his way to work with individuals like Seskain Molenga before preparing for an official band called Empire Bakuba. Finally, Pepe Kalle was a very confident which I spoke before. This confidence helped him keep his career going with the good and the bad times. 

Also, perhaps there would have been a bigger conflict between Franco and Verckys. Because I am sure Verckys and Franco would not even want to be in the same room. 

Finally, Franco did not really need Pepe Kalle. He already had likes of Josky Kiambukuta, Ntesa Dalienst, and Ndombe Opetum. Those singers were solid to sing on Franco style songs. Franco was a legend in making. Franco made great classic songs with different kind of singers. Franco was on his way to become one of the all time greats. Franco already changed his music to more African Jazz style music. In other words, "Africa Fiesta Style of Music". 

Do you agree or disagree? 

Bonjour à tous. J'espère que vous allez bien. Je vais faire deux postes de la polémique. La polémique dans le bon sens. Je faisais deux postes du Grand Maître Franco contre Géantafrique Pepe Kalle. Je vais parler de Pepe Kalle comme un emploi du Grand Maître Franco. Je l'ai dit. Ce n'est pas ma pensée mais il y a des gens qui pensent que Pepe Kalle serait mieux sous la direction d'un autre artiste.

Ce cas sera sur pourquoi Pepe Kalle avait raison pour ne joindre pas L'OK Jazz du Grand Maître Franco?

Je vais vous donner sept raisons lesquelles Pepe Kalle a fait du choix correct ne joindre pas Le TPOK Jazz de Franco. 

1)  Papy Tex serait seul ou sera allé jouer pour un autre orchestre. 

2) Pepe Kalle would have only done nzonzings with Papy Tex. Pepe Kalle aurait fait des nzonzings avec son ami d'enfance Papy Tex seulement. 

3) Probablement, Madilu n'aurait jamais été un membre de L'OK Jazz.

4) Pepe Kalle avait déjà un orchestre qui fonctionnait très bien dans la scène musicale Congolaise. 

5) Franco n'avait jamais besoin instamment de l'individu comme Pepe Kalle. 

6) Un plus grand conflit aurait fait entre Franco et Verckys 

7) Pepe Kalle avait son destin propre comme une grande étoile. 

La raison finale est plus important laquelle je peux dire que Pepe Kalle avait raison pour ne joindre pas L'OK Jazz du Grand Maître Franco. Dans mon point de vue, Pepe Kalle avait son destin propre comme une grande étoile. Pepe Kalle un destin pour diriger son orchestre propre. En plus, il avait son ami d'enfance s'appelle Papy Tex et plus tard, il trouvait un autre ami Dilu Dilumona. 

Pépé Kalle était quelqu'un qui avait le vedattariat du minute qu'il est venu dedans la scène musicale. Il est venu de l'école du Grand Kalle mais il a préparé clairement pour faire son marque propre comme un chanteur. Après tout, il a déjà fait un orchestre qui avait popularité énorme dans la scène musicale Kinoise (Africa Choc) avec son ami d'enfance Papy Tex. Aditionellement, Pépé Kalle était déjà dans son chemin pour travailler avec les individus comme Seskain Molenga avant la préparation de son orchestre officiel L'Empire Bakuba. Finalement, Pepe Kalle avait beaucoup de confiance que j'ai parlé déjà avant. Cette confiance le traversait partout sa carrière dans les bons temps et les mauvais temps. 

Aussi, probablement il y aurait un grand plus conflit entre Franco et Verckys. Parce que je sais bien que Verckys et Franco refuseraient entrer une meme une même chambre. 

Finalement, Franco n'avait pas besoin réellement de Pepe Kalle. Il avait déjà des chanteurs comme Josky Kiambukuta, Ntesa Dalienst et Ndombe Opetum. Ces chanteurs étaient solide pour chanter des chansons dans le style de Franco. Franco était une légende prochaine. Franco faisait des chansons classiques avec beaucoup de chanteurs. Franco était dans le chemin pour devenir un des grands du tout le temps. Franco changeait déjà sa musique en plus du style musical de l'África Jazz. Ça va dire la musique du style musical de L'Africa Fiesta. 

Est-ce que vous êtes d'accord ou désaccord? 

Hello everyone. I hope you are well. I am doing a controversial post. I mean two. It is about Franco and Pepe Kalle. I did posts of Franco vs Pepe Kalle. This time I will speak on Pepe Kalle being a employee of Franco. I said that. Well I don't think that  but there are people that say that Pepe Kalle would have been better under someone else. There are some who say that Pepe Kalle would have better been with Franco and there are some who say that Pepe Kalle was good on his own. 

This case will be about on why Pepe Kalle should have joined OK Jazz of Franco? 

I will give you seven reasons why Pepe Kalle should have joined Franco's Le TPOK Jazz.

1) Felicity of bringing younger singers more easily

2) Pepe Kalle was a team player 

3) Franco has one less group to worry about 

4) Pepe Kalle is hard working and Franco loves a hard worker. 

5) Pepe Kalle would have brought more animations for OK Jazz.

6) Tabu Ley would have been tempted to get someone like Nzaya Nzayadio into Afrisa since he sounds similar to Pepe Kalle. 

7) Pepe Kalle is a second voice singer. 

The last reason is actually very important to state this. Well for me anyway, I always considered and still consider Franco to also be a second voice range singer. But there are Franco fans say that actually Franco was a tenor type of singer not baritone as I believe. 

For those who say that Franco was a tenor type of singer, there are moments where that does seems to be the case. I will show where their arguments do hold. 

These songs show where Franco sings higher than someone else. Whether you are speaking of Youlou Mabiala, Josky Kiambukuta, Vicky Longomba, Michel Boyibanda or Madilu System which half are natural tenorists. 

But there is one song where Franco would have been better singing tenor the whole time in harmony. That song is La Vie Des Hommes. 

Since Pepe Kalle is truly a second voice singer, his voice would have pushed Franco's desire to go back to tenor. That is probably why Franco wanted Pepe Kalle into OK Jazz and why he decided to add Madilu. But Madilu was better singing higher than Pepe Kalle though Pepe Kalle had moments where he could sing high. Listen to him with Tabu Ley. Back to Franco and Pepe Kalle, Pepe's second voice being perfect would have helped Franco at moments where he sang low then he would sing high again. I will give two examples where he would have been great with tenor with assistance of Pepe Kalle. 

PEUCH DE SOL 

NALINGAKA YO YO TE 

Also, if Pepe Kalle had been in OK Jazz, he would have been also very comfortable with voices of Djo Mpoyi and Ntesa Dalienst whom I will speak of them with Pepe Kalle in dream duets. 

Pepe Kalle would be a good alternative choice for OK Jazz  when Josky does not want to sing. Like example, we can put Pepe Kalle with Wuta Mayi, Ndombe and Ntesa or Diatho Lukoki, Wuta Mayi and Djo Mpoyi. In a Franco lead song, we can hear a voice of Pepe Kalle with Ndombe and Ntesa or Djo and Ndombe or Wuta and Ntesa or Wuta and Djo. 

Pepe Kalle came from Africa Jazz school and Franco loved that music so much that if Pepe Kalle had joined OK Jazz, he would put Empire Bakuba influence into great blast with more uptempo songs and I know Franco would excel on it with the sebenes. Pepe Kalle would have given many animations for OK Jazz. 

Franco and Pepe Kalle dream duet will be next. 

Bonjour à tous. J'espère que vous allez bien. Je vais faire deux postes de la polémique. La polémique dans le bon sens. Je faisais deux postes du Grand Maître Franco contre Géantafrique Pepe Kalle. Je vais parler de Pepe Kalle comme un emploi du Grand Maître Franco. Je l'ai dit. Ce n'est pas ma pensée mais il y a des gens qui pensent que Pepe Kalle serait mieux sous la direction d'un autre artiste.

Ce cas sera sur pourquoi Pepe Kalle devrait avoir joindre L'OK Jazz du Grand Maître Franco? 

Je vais vous donner sept raisons lesquelles Pepe Kalle devrait avoir joint Le TPOK Jazz de Franco. 

1) Félicité d'apporter les chanteurs plus jeunes dans une façon très facile.

2) Pepe Kalle était un joueur d'équipe. 

3) Franco a un moins de souci d'un autre groupe. 

4) Pepe Kalle est un bosseur et Franco aime un bosseur. 

5) Pépé Kalle aurait apporté plus animations pour OK Jazz. 

6) Tabu Ley aurait été dans la tentation pour chercher quelqu'un comme Nzaya Nzayadio dedans Afrisa puisqu'il a voix comme Pepe Kalle. 

7) Pepe Kalle est le chanteur de la deuxième voix

La raison finale ce qu'il est très importante pour la citer. Pour moi réellement, j'ai considéré toujours et considérer encore Franco comme le chanteur de la deuxième voix. Mais il y a des fanatiques de Franco qui disent que Franco était un chanteur de genre de ténor et pas baryton que je crois. 

Pour ceux qui disent que Franco était un chanteur de genre de ténor, il y a des moments ou il semble pour être le cas. Je vais démontrer où les arguments marchent. 

MBANDA ASILIKI

FIFI NAZALI INNOCENT FROM SIMARO 

CEDOU 

AZDA 

NON 

Ces chansons démontrent ou Franco chante plus haut que les autres. Vous pouvez parler de Josky Kiambukuta, Michel Boyibanda, Madilu Systeme, Vicky Longomba ou Youlou Mabiala ce qui demi des chanteurs sont des ténoristes naturelles. 

Mais il y a de la chanson ou Franco aurait la capacité de chanter tenor plus facile tout le temps en harmonie. Cette chanson s'appelle La Vie Des Hommes. 

Cette chanson est ou il aurait été mieux fait avec Pepe Kalle qu'il était avec Madilu malgré le bon boulot ce qu'il a fait dans la chanson. La chanson La Vie des Hommes était bien fait par Franco. Mais si Pepe Kalle avait chante, je pense que Franco aurait plus inspirée pour chanter en harmonie avec Pepe Kalle dans la manière de ténor tout le temps. Peut-être, il demontrait mieux la voix ténoriste de Franco ce qu'il avait. 

Puisque Pepe Kalle est réellement un chanteur de la deuxième voix, sa voix aurait poussé le désir de Franco de retourner au ténor. Peut-etre la raison laquelle Franco voulait Pepe Kalle dedans OK Jazz et pourquoi il decidait pour ajouter Madilu. Mais Madilu a passé Pepe Kalle lui-même dans le chant haut malgré les moments que Pepe Kalle a démontré sa capacité dans le chant haut. Ecoute à lui avec Tabu Ley. Revient au sujet du Grand Maître et Géantafrique, la perfection de la deuxième voix de Pepe Kalle aurait aidé Franco aux moments ou originellement il a chanté la bas, il aurait chanté haut de nouveau. Je vais vous donner deux exemples ouil aurait été grand en ténor de l'assistance de Pepe Kalle. 

PEUCH DE SOL 

NALINGAKA YO YO TE 

Ces chansons auriont été mieulleure avec la voix de Pepe Kalle. Je peux imaginer la voix du ténor de Franco plus fort. Je vais aller plus profond aux analyses du duo de rêve de Franco et Pepe Kalle. 

Peut-être, si Pepe Kalle est venu dans L'OK Jazz, il aurait été très confortable avec les voix de Djo Mpoyi et Ntesa qui seront parlés dans les duos de rêve avec Pepe Kalle. 

Pepe Kalle serait un bon choix alternatif pour L'OK Jazz quand Josky ne veut pas chanter. Pour les exemples, poussons Pepe Kalle avec Wuta Mayi, Ndombe et Ntesa ou Diatho Lukoki, Wuta Mayi et Djo Mpoyi. Les chansons de Franco, nous pouvons entendre la voix de Pepe Kalle avec Ndombe et Ntesa ou Djo et Ndombe ou Wuta et Ntesa ou Wuta et Djo. 

Pepe Kalle est venu de L'école de L'Africa Jazz et Franco aimait cette musique beaucoup pour si Pepe Kalle avait joint Ok Jazz, il pousserait l'influence de L'Empire Bakuba dans la grande explosion avec les chansons plus de tempo et je sais que Franco l'exceller avec les sebenes. Pépé Kalle aurait donné beaucoup d'animations pour L'OK Jazz. 

Le duo de rêve de Franco et Pepe Kalle sera prochaine.